And a columnist for London’s Independent newspaper offered a colorful and highly imaginative account that was published five years ago today:
“Reports from New Orleans ring like prophecies of the apocalypse. Corpses float hopelessly in what used to be a thriving and distinctive downtown; coffins rise from the ground; alligators, sharks and snakes ply the poisonous waters ….”Few if any of the nightmarish accounts of violence, anarchy, and mayhem proved true.
No shots were fired at rescue helicopters. There were no known child rape victims, no bodies stacked like cordwood, no “bands of rapists going from block to block,” no sharks plying the flood waters.
As I write in Getting It Wrong, “the erroneous and exaggerated reporting had the cumulative the effect of painting for America and the rest of the world a scene of surreal violence and terror, something straight out of Mad Max or Lord of the Flies.”
The coverage of Katrina’s aftermath was no “quintessential” great moment in journalism.
Far from it.
As a bipartisan congressional report on Katrina noted in 2006:
“If anyone rioted, it was the media.”
Read it all.
More here, including from later on
About the inaccurate estimates of fatalities, the Times of London said it had become clear by in mid-September 2005 “that 10,000 people could have died only if more than 90 per cent of them had locked themselves into their homes, chained themselves to heavy furniture and chosen to drown instead of going upstairs as the waters rose.”
But the Times rationalized the flawed reporting, suggesting that it was inevitable: When “nature and the 24-hour news industry collide, hyperbole results.”
A weak excuse, that. Besides, post-Katrina reporting from New Orleans was more than hyperbolic: It described apocalyptic horrors that the hurricane supposedly unleashed.
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